Skip to main content

In Which I Advise You on Teen Voice

This is a post in response to an article that I stumbled across written by another Australian teen, author Steph Bowe, which can be read at her blog and here, where she wrote about the do's and don't's of crafting teen voice.

I, like Steph, am a teen and it wouldn't be presumptuous to assume that I know a thing or two about teen voice. Once you get two or three years behind or beyond my age, however, things should and will get a bit off. For example, I have a younger brother whose circle has begun to howl with cries of "Yeaaaaaaah boys!" in response to anything good happening - something I've never said, personally. He's two years younger than me.

Now, very rarely do adults, writing YA, get the teen voice correct - sometimes, the odd parent with teenage kids will be able to pick up on the likes and the vocalised LOLs, but very rarely does this happen. They either pick something very outdated, or a couple years out of date - such as dope *facepalm*, or they just stick a bunch of huffs, and "whatevers" and "likes".

Listening to teen speak is a good place to start. Go sit in the food court and listen. Do not go hang around outside a school. I'll give you an example. Now, the way teens address each other varies considerably, but I'll tell you about me and my peers. Sixteen. We call each other boys, guys, babe, etc. Never girls. Never "my friends". I have a friend called Gemma and a friend with Bird as a last name. Gemma I call Gemima, Gem, Gemmyboy, Gemdogs, G. Bird, I call Bird, Birdman, Birdy, B-man. My friend Connie, I both call and write down as Ron or Ronnie. TV and movies usually dim this down because I reckon it'd get pretty damn annoying to listen to it for hours.

Now, if you've listened to real teenagers speak, go out and read some YA books and watch some movies and TV shows geared toward teenagers. You'll pick up which voices are outdated, and you'll know which characters have real teenagers behind their dialogue. Try not to make references to current bands (i.e. Katy Perry, the Bieber Beaver, and whoever else is plaguing the radio) because you will, as Steph said, date your novel really quickly. If you want to do this, however, I'd opt for the Beatles or the Stones or something - but only if your character is the type to listen to this sort of music. I, for one, am one of those kids and have 12+ friends who are the same.

If this option is available to you, run your dialogue past a teen that you know. A cousin, a niece or a neighbour. Hell, if they seem a bit hesitant, offer to pay them for their services. $10 to comb through the dialogue of the entire novel, for every draft or whatever. As a teen, I would definitely take that money.

Of course, adding ums and a helluva lot of pauses and nuances with the characters' movements will make your dialogue unpleasant to read. The same goes for too much slang, unless it's used as characterisation - I have a character who you can barely understand. But that reflects on her background and her maturity.

If you can, try and make each teenage character a little different in their dialogue. If you looked at my circle of ten closest, our speech varies greatly. I have a friend whose worst curse is "shit" and who has a very maternal approach to addressing her peers. I have another who curses at any opportunity, but it adds emotion to her words - depending on how bad her language gets, you can really tell how worked up she is. I have another friend who always has to get a reaction, so there's a "right?" or a "yeah?" or a "get what I mean?" on the end of every spiel. I have another friend who speaks very little, mostly because she churns out whatever she wants to say in as few a words as possible, which makes her very blunt - she also tells the truth without fail. If you slotted these people into a novel, their dialogue would be different, no?

Any further comments? Add 'em on the end.

Oh, and photo credit to monstermagnet on deviantart.com

Comments

  1. Hi! Thanks for the comment on my blog and for following. :) I see that you're a rather new blogger? Welcome to the blogosphere. :D

    ~TRA

    http://xtheredangelx.blogspot.com

    ReplyDelete

Post a Comment

Popular posts from this blog

"In 900 Years of Time and Space, I've Never Met Anyone Who Wasn't Important Before" (Problem: Boring Lead, Riveting Supporting Cast)

I received an email the other day from a reader (who wanted to remain anonymous in this post - but we'll call her Sarah) who told me that she was having trouble getting into her protagonist, despite this being her most prominent POV.
She is dynamic as many Young Adult characters are, but at the beginning she's anxious and self-doubting because she's in that adolescent phase when you realise everything you know about yourself is completely wrong and you're just starting to discover who you REALLY are. There's not much that makes her like me (or am I kidding myself?) even though I've been in the same position as her. Well maybe not exactly since this is YA SF, but as far as her emotional state goes, I've been through that. But I just feel like she should've developed more by now, and she still feels like a faceless stock character.
Bildungsroman is the nature of YA above all, and that relatable trait for the protagonist is necessary. To some extent, ther…

Honey You Should See Me In a Crown I (Or, What BBC Sherlock Teaches Us: Antagonists and Villains and Bad Baddies)

BBC's Sherlock - the reincarnation of Arthur Conan Doyle's detective in 21st century London. In its second series, it only has six episodes, but confounds me in its ability to be perfect. I'm a snob about film and TV, but I'll also be first to say it's the finest piece of storytelling on TV in a while. We writers can learn from it, so welcome to my all-rounder series: Honey, You Should See Me in a Crown.

I will be dissect this king of entertainment, created by Steven Moffat (of Doctor Who fame, a fan favourite since Blink, The Girl in the Fireplace and Silence in the Library/Forest of the Dead) and Mark  Godtiss Gatiss (who also plays Mycroft Holmes in the series). From plot, to pacing, to characterisation, to relationships and dynamics, from themes to subtext, to stereotypes and archetypes, and all literary bad-arsery. (And thankfully this will tie in with my HSC crime studies, so HA! Board of Studies, ha!) Note: spoilers threaded throughout. No, seriously. Spoil…

Are You Feeling Anything Yet? (Or, Cheers to These Teenage Years and How to Portray Them So You Don't Piss Us Off)

I go to the movies often, more with my friends than with family or the nonexistent boyfriend. I also seem to arrive first. Once, after I texted one of said friends about her whereabouts, I received: I'll be there in five minutes. If not, read this again.
On other occasions, I've received quick replies quoting THE DIVINE COMEDY or Lord Nelson or Thackeray or Humphrey Bogart or Marilyn Manson or Miley Cyrus. These are average teenage girls. They pierce bits of their bodies and gossip and whine and flunk maths tests and drink and attempt to drive. Their parents still treat them like they're eight, then tell them to act like a grown up. They curse and scream and bitch. They hate their bodies, their man hands their fat thighs. They obsess over films and people and move on to something new tomorrow. They're hot and cold and you shouldn't call them on it. They are the greatest liars and con artists in the world.
And that is why you cannot possibly con a teenager into belie…