nindogs

The way we writers work is peculiar, and actually, particular . Though I've found that one method for one novels doesn't always suit another novel. Some of us are fully digitised, others still handwrite half of their work, and many of us are an amalgam in between.  Me? I like to outline with tangible plot points, create and reshuffle, and I do this with post it notes on cork boards. I can keep track of pacing, interlocked story lines and character frequency. I can sketch landscapes and statues therein. But when it comes to writing, it has to be in Word. But today, I want to talk about healthy creative environments. So, at the moment, I'm on the floor in my living room, more from my uncanny ability to sit cross-legged for extended periods of time and the fact that I just spent the better part of a year extricated from my family in HSC mode (and I'm attempting to quash complaints that they never see me despite my nearly always being home). That, and the w

Series : Unravelling #1 Release date:  June 2012 Publisher:  Harpercollin's Children's Books Pages: 445 Source:  Berkelouw Books Rating:  STOP THE COUNTDOWN. SAVE THE WORLD… Leaving the beach, seventeen-year-old Janelle Tenner is hit head on by a pickup truck. And killed. Then Ben Michaels, resident stoner, is leaning over her. And even though it isn’t possible, she knows Ben somehow brought her back to life… Meanwhile, Janelle’s father, a special agent for the FBI, starts working on a case that seems strangely connected to Ben. Digging in his files, Janelle finds a mysterious device – one that seems to be counting down to something that will happen in 23 days and 10 hours time. That something? It might just be the end of the world. And if Janelle wants to stop it, she’s going to need to uncover Ben’s secrets – and keep from falling in love with him in the process… It's described as 24 meets X-Files  and as a blockbuster, but that is seriously underest

Well, have we? A lot of writers struggle with balancing action and suspense with realistic development and emotion. I've received a couple emails about concerns that in writing physical struggles at the forefront, internal conflict plays second fiddle.  In many ways, characters vs. plot  or even the conflict in pleasing your readers vs. pleasing yourself. We get caught up in all the little opinions - agents condemn certain features and talk about the importance of "emotion" and issues relevant to the YA audience, and critics on sites like Goodreads can be absolutely brutal about their preferences.  We as authors have a tendency to reconsider our choices and our work in their desire to be relevant and pleasing and, well, good. But it's all about balance. And I do mean action-oriented   and not action-packed .  All plots have a sense of urgency to them, and that pacing is absolutely vital. It's important not to forgo that in the mistaken

Warning: this post will include a lot of celebratory gifs. Like, a lot. I'm hyperactive and confused and exhausted and sore and hungry and just - I'm finished. The HSC. High school. I'm finished. As of 2 o'clock this afternoon. My final exam on Art Criticism and History was finished. And so, I'm also back . To commemorate this occasion, I thought I'd make a post of all the things that are absolutely thrilling me about YA and publishing and reading and even my own writing that I am now free to catch up on. (Ugh, free. I love that word.) Anyway, all the things to come! Releases of very late 2012 and of 2013: First and foremost: I just ordered  Days of Blood and Starlight  and omfgwhateven I have to wait three weeks until I can read it but it's worth it and aksf;akhjsfljasbfa.snf;     ...Basically. In my catch up searching, I very quickly (and excitedly) came across Antigoddess  on Goodreads, the upcoming offering from Kendare Blake (of Anna Dres