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Oh no! Je sues desole! 

Sorry m'dears, this page is coming to a screen near you.
...when I get around to it.!

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"In 900 Years of Time and Space, I've Never Met Anyone Who Wasn't Important Before" (Problem: Boring Lead, Riveting Supporting Cast)

I received an email the other day from a reader (who wanted to remain anonymous in this post - but we'll call her Sarah) who told me that she was having trouble getting into her protagonist, despite this being her most prominent POV.
She is dynamic as many Young Adult characters are, but at the beginning she's anxious and self-doubting because she's in that adolescent phase when you realise everything you know about yourself is completely wrong and you're just starting to discover who you REALLY are. There's not much that makes her like me (or am I kidding myself?) even though I've been in the same position as her. Well maybe not exactly since this is YA SF, but as far as her emotional state goes, I've been through that. But I just feel like she should've developed more by now, and she still feels like a faceless stock character.
Bildungsroman is the nature of YA above all, and that relatable trait for the protagonist is necessary. To some extent, ther…

Honey You Should See Me In a Crown I (Or, What BBC Sherlock Teaches Us: Antagonists and Villains and Bad Baddies)

BBC's Sherlock - the reincarnation of Arthur Conan Doyle's detective in 21st century London. In its second series, it only has six episodes, but confounds me in its ability to be perfect. I'm a snob about film and TV, but I'll also be first to say it's the finest piece of storytelling on TV in a while. We writers can learn from it, so welcome to my all-rounder series: Honey, You Should See Me in a Crown.

I will be dissect this king of entertainment, created by Steven Moffat (of Doctor Who fame, a fan favourite since Blink, The Girl in the Fireplace and Silence in the Library/Forest of the Dead) and Mark  Godtiss Gatiss (who also plays Mycroft Holmes in the series). From plot, to pacing, to characterisation, to relationships and dynamics, from themes to subtext, to stereotypes and archetypes, and all literary bad-arsery. (And thankfully this will tie in with my HSC crime studies, so HA! Board of Studies, ha!) Note: spoilers threaded throughout. No, seriously. Spoil…

Are You Feeling Anything Yet? (Or, Cheers to These Teenage Years and How to Portray Them So You Don't Piss Us Off)

I go to the movies often, more with my friends than with family or the nonexistent boyfriend. I also seem to arrive first. Once, after I texted one of said friends about her whereabouts, I received: I'll be there in five minutes. If not, read this again.
On other occasions, I've received quick replies quoting THE DIVINE COMEDY or Lord Nelson or Thackeray or Humphrey Bogart or Marilyn Manson or Miley Cyrus. These are average teenage girls. They pierce bits of their bodies and gossip and whine and flunk maths tests and drink and attempt to drive. Their parents still treat them like they're eight, then tell them to act like a grown up. They curse and scream and bitch. They hate their bodies, their man hands their fat thighs. They obsess over films and people and move on to something new tomorrow. They're hot and cold and you shouldn't call them on it. They are the greatest liars and con artists in the world.
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